My son wrote:
Hey Pops -
I’m totally loving this Corvette commercial… and I don’t like Chevy (sorry, Chevrolet) cars, nor have I ever been too fond of the Corvette. (If I’m going to buy an expensive sportscar, Chevy isn’t the first car company that comes to mind).
http://www.nitrobahn.com/news/2011-chevrolet-corvette-features-in-a-short-commercial/
To which I responded:
Well, it’s done by Goodby, Silverstein (think Got Milk?), so it’s well-crafted and hits on a good core idea. Unfortunately for them, their attempt at a Hal Riney voiceover doesn’t have the resonance of the real thing (the Reagan re-election campaign), so it’s not going to wear as well.
Also, they are counting on the fact that no one remembers that the original Corvette wasn’t conceived as “a rocket,” but rather a personal sports car (the Thunderbird was Ford’s entry). So the voiceover confounds the origins of the space program with the visuals of building today’s Corvette engine…eventually, I think, resulting in a sort of hollow, ho-hum feeling. But at low levels of repetition it will probably do well and they really aren’t interested in selling more Corvettes. It’s part of a larger GM – Chevrolet image campaign in preparation for their public stock offering tentatively planned for this fall.
But it’s fine for you to like it. Since you and I own GM, we should be pleased.
Pops
And then he went:
Now… obviously I understand that the Corvette was not a “rocket” in any way, shape or form as originally conceived (nor is it now), but those cars brought people closer to feeling the power of an engine – thus “rocket” – than ever before (if you didn’t have the money or means to ever own or see a classic European sports car), no?
At least it seems to me they’re successfully rewriting history
Bubba
p.s. We own GM what?!?
So I said:
When GM accepted the bail-out and went through bankruptcy, the US govt (hence, you and I) got controlling ownership of the company. Now the 55-year-old Charlie Wilson quote (“What’s good for General Motors is good for the country,” he said) is really true.
If you go back and examine the word “rocket” with respect to GM, you’ll find that as part of the post-World War II design of the GM family of brands (Harley Earl’s brainchild), it was Oldsmobile that was promoted as “the Rocket,” with models like the Rocket 88 and the Rocket 98. The Oldsmobile overhead-cam V8 engine was nicknamed the “Rocket.”
The original Corvette first shown in 1953 was powered by a “souped-up” six-cylinder engine, but it wasn’t the engine that got the hype, it was the fact that it was the first US production automobile with a fiberglass body. So…no, the Corvette didn’t start out to be “a rocket.”
Pops
(See my earlier auto rants)
A neckstrap by another name
June 27, 2010
I wanted to let my brother (also a recent purchaser of a Nikon) know about a piece of equipment I had acquired. From the email:
As you can guess, your brother chafed under the Nikon yoke. Or, said otherwise, never having been a “natural” fan of Nikons (just as I am not a “natural” fan of Porsches), I really didn’t like wearing the stock black neckstrap with the bright yellow “NIKON” on each shoulder. Besides, it’s kind of a clunky neckstrap.
Enter the Industry Disgrace!
Yes, the Industry Disgrace. By Crumpler. $30 worth of escape from Nikon-logo neckstraps.
A nice neckstrap. The straps lie flat on the chest. The camera pitches forward very little, even with the 55-200 mm zoom on it. The behind-the-neck “feel” is comfy. Lots of length adjustment.
And I can walk around with out feeling “cringe-y” because my neckstrap has exhibitionist tendencies (except, of course, for those of us who recognize the obscure Crumpler logo for what it is – everyone else is wondering what Punchy, the Hawaiian Punch mascot, is doing on your shoulder).![]()
So…swap your snooty Nikon neckstrap for a snootier Industry Disgrace. I did. I’m now the hottest snot in town. Just ask me.
To which my brother replied:
Agree on all points. Will investigate strap.
I go one step farther. Black electrical tape cut to fit over “NIKON” on flash housing. Ditto over “D90″ emblem. It helps when shooting groups of people in candid settings because they don’t read “NIKON” and react. Cartier-Bresson used to paint his Leicas black. to keep from distracting people.
Auto rants (3)
June 10, 2010
It’s been a year, and now I am (and the rest of you out there are, too) a part-owner of General Motors. Wish there were better news for the future, but it looks like they still don’t get it. Today’s New York Times reports that for “consistency” we will now have to refrain from calling anything Chevrolet a “Chevy.” The marketing people are behind this mandate which they see as a brand-strengthening move.
Last year I made it pretty clear (in Kick as Kick Can and Auto Rants (2)) that the problem with Chevrolet as a brand isn’t that people use a diminutive and endearing term once promoted by GM (Dinah Shore sang it long before they were driven to the levee). The problem is that Chevrolet doesn’t refer to anything identifiable but rather to an incredible range of vehicles that start with a Chevrolet-branded Daewoo manufactured in Korea and proceed upward in size and power through the Corvette and a series of heavy-duty trucks.
Bob Lutz is gone from the hallways of General Motors, but this latest brain-dead solution to GM’s branding problems is a case of thinking ‘way down deep within the same old box. As Ford is in the process of recognizing with the proposed elimination of the Mercury brand, re-badging vehicles with multiple brands is counter-productive in today’s market. Ford would compete in the US market with *gasp* only two brands.
eBooks and iPads and Blackberries, oh my!
February 18, 2010
At my present university the periodical magazine features a point-counterpoint discussion in each issue. This time the topic was whether the coming-of-age of eBooks would result in increased reading; to kill the suspense, I took the con side while a professor of performing arts took the pro side.
We made our arguments (in writing) last November as Barnes and Nobles’ Nook was in delayed shipping and well before Steve Jobs bewitched us all with the iPad. So I bring you a copy of the debate as it was printed on the same day that Amazon announces that its “Kindle for Blackberry” app is ready – and I’ve already started reading one of my Kindle books on my Blackberry, thank you. I can now read my Kindle books on two desktops, one netbook, my Blackberry and my Kindle. Fantastic.
Click on image for easy-to-read size.
With a little help from my friends
September 8, 2009
In a quandary this morning. I can understand some things pretty easily, like how General Motors can claim that an electric car that has to be plugged in every 40 miles can get 230 miles to the gallon. I am, of course, a university-certified Marketing Wizard.
Other things I understand pretty easily include the idea that pine tar soap should help my scaly scalp condition. I can understand that because it’s one of those things that people just wouldn’t do if it wasn’t good for them…like mixing sulphur and molasses into a poultice and spreading it on an aching joint. That still leaves me with the problem of why the first guy with an itchy scalp thought it would be a nifty idea to spread pine pitch on his head; there are lots of other nasty things that you can apply to your head. Maybe he’d tried all of those. Which makes you kind of sure he was a social outcast.
But my problem today is that I just unwrapped a new bar of soap from the Dial soap people and I need help in understanding it. The wrapper claims that the soap is made with cranberries and is a great source of antioxidants. The scent is correct, although probably artificial. But why am I rubbing antioxidants on my outsides? Why couldn’t I just add a quart of Ocean Spray to my bath? Am I in danger of serving the Thanksgiving turkey with a slice of Dial on the side? Why is there no blueberry soap?
While I work on the answers to these questions, I offer you this image of the hawk spotted during yesterday morning’s walk. The birds in the neighborhood were all chattering, making sure he felt like an outcast.
Picnic Bench Wrangler: Platonic occupation
August 9, 2009
I’ve had my eye on this one for a while. The picnic benches at Colt State Park tend to migrate, sometimes singly and sometimes in groups, sometimes in daylight and sometimes overnight. Park administrators, however, clearly have ideas about the correct arrangement of benches across the landscape.
This creates the occupation of Picnic Bench Wrangler, something I’m thinking about for my retirement. Here’s the current wrangler in action, warily approaching a stray picnic bench that has wandered off by itself.
It looks like a great outdoors occupation, combining all your basic outdoor skills and understanding of picnic bench behavior with the operation of noisy machinery with big tires. In addition to hunting down strays, the Wrangler also has to cull the herds to maintain their proper sizes.
Having cautiously approached the herd to avoid startling them, the Picnic Bench Wrangler deftly snags the chosen bench with his lift fork and reverses quickly away.
The Wrangler moves rapidly away from the previous herd and then deposits the bench in its appropriate location with the new herd. The Park Administration has clearly marked each bench and designated the specific areas for them.
At the end of the day the wrangler can be seen at the top of Surprise Hill, gazing off to the West – towards Westerly, RI, in fact – across Narragansett Bay in a pose reminiscent of Curly Washburn (the Jack Palance role in City Slickers).
A-yup, seems pretty idyllic.
Auto rants (Part 2)
July 14, 2009
Chrysler set a record for passage through bankruptcy, just in time for GM – a more complex financial beast – to emerge even more quickly: In on the First of June, out on the 10th of July. Three days later, Advertising Age asked the first-page rhetorical question “Is this the right guy to run GM’s marketing?’ next to a photo of Bob Lutz.
The answer to that question should have been clear from the July 14th Wall Street Journal headline advising that Mr. Lutz was toying with the idea of breathing some life into the almost-dead corpse of the Pontiac division by resurrecting the Chevrolet Caprice model name and putting it on the Pontiac G8.
The answer is no, Bob Lutz is not the right guy to run GM’s marketing.
He’s 77. He’s retired from GM once already. He is steeped in the tradition of the US automobile industry. The G8 fizzled after it’s 2007 introduction, but sales are picking up…so the logical conclusion is to make sure we hold on to this model, “citing nascent demand.”
In the depths of the Depression, Packard Motor Car company hired production and sales executives from General Motors because Packard didn’t understand how to make or sell a popularly-priced car to save their souls. It worked!
The equivalent in today’s market in which GM has been unable to sell automobiles profitably would be for GM to hire marketing and production executives from Toyota.
Mr. Lutz, you have to narrow the range of models offered by each of your surviving divisions, not broaden them; you have to reduce the overlap of models, not further confuse them.
Clarity, Mr. Lutz. Focus. One big winner, not a half-dozen stunted, resource-sucking minor models that you produce for inventory (not demand) and then have to liquidate.
Kick as kick can
June 3, 2009
For those of us who witnessed the appearance, grotesque growth and eventual death of the tail-fin and the disappearance of the Packard Motor Car Company in the 1950′s, General Motor’s current woes are brilliant irony.
Behind the scenes as the tail-fin craze initiated by the 1948 Cadillac reached its high-water mark with the 1957 Chrysler Corporation product line (“Suddenly, It’s 1960!”), Harley Earl and his GM design center created a monster. The monster appeared innocent enough and delivered handsome benefits to the corporation. GM’s divisions could share basic sheet metal and differentiate themselves with design variations that altered only a part of the car.
In 1954, my brother and I bought a 1949 fastback Chevrolet whose body – not counting trim and the tail fins on the rear fenders – was essentially the same as that year’s Cadillac fastback. It became the practice to create, say, a half-dozen body styles and then share them across the five GM brands. This (because of selective sharing) would result in perhaps 20 to 24 base models for GM, giving them plenty of variety to offer the public through the dealers of their five brands.

1949 Cadillac and Chevrolet fastback sedans Cadillac: http://www.flickr.com/photos/exfordy/2677732259/ Chevrolet: http://www.automotivehistoryonline.com/1949%20Chevrolet%20Fleetline.jpg
The Packard Motor Car Company, which (1) had never done their designing in-house, (2) was still preoccupied with making aircraft engines for the government, and (3) because of the pressures of the Depression had pushed the lower limits of their model prices below $1000 while trying to maintain a prestige, elitist image, suddenly had to compete with GM’s definition of automotive style. They reacted slowly, finally achieving a model that gained good consumer acceptance in the 1950 model year.
Unfortunately for them, the lack of integration between outside designers and Packard engineering caused considerable delay in getting the car bodies to “fit” properly. Leaks and rattles abounded and deliveries were disastrously slow. The following year, due to the Korean conflict, steel was put on rationing and car companies could make no more vehicles than they had in the previous year. With their output constrained, Packard went belly-up and into the waiting arms of Studebaker Motors, which coveted Packard’s defense contracts but not their automobiles.
The ’50′s were, nevertheless, heady times for the US auto industry. Horsepower became a competitive factor in consumer decisions and the industry tried hard to induce increased consumer purchasing by radically changing each car’s exterior sheet metal every year from 1955 through 1959. This practice gave credence to the notion that US car manufacturers were practicing planned obsolescence, a term coined in 1954 by industrial designer Brooks Stevens to describe a method for speeding up the repurchase cycle through non-functional design changes.
Tail-fins were re-absorbed by automobile bodies at the beginning of the 1960′s, although Cadillac retained vestigial fins until the mid-60′s. This may have been a recognition by automakers that style changes alone could not accelerate purchases and signalled a switch to what became a three-year cycle for major changes to body style.
But because they are production-oriented, all US automakers shared common bodies across their brands, diluting the meaning of the individual brand names. Fords could be the size of Lincolns, Plymouths were essentially identical with Dodges; GM tried to establish a Cadillac compact car, the Cimarron, in 1981 by embellishing the same compact body used by other GM divisions, and tried it again in 1997 by re-purposing a body produced by GM’s German Opel division to create the Catera. In both instances, GM discovered that people really didn’t want cheapness disguised as luxury. (A good overview of GM body types over the years is available at Wikipedia.)
[Sharing bodies and other parts was so widely practiced that it came as a shock to me that Oldsmobile owners in the 1970's brought a lawsuit against GM because their vehicles had come with Chevrolet engines. GM then declared all engines as corporate rather than division "property."]
The GM brand in biggest disarray is Chevrolet. Chevrolet is the GM entry level brand, and to ensure that it keeps that position, GM has used its equity stake in the South Korean automaker Daewoo to obtain the car sold in the US as the Chevrolet Aveo (and, following the GM body-sharing model, the Pontiac G3) starting at $12,000. On the other end of the spectrum is the Corvette, selling for between $50,000 and slightly more than $100,000; the Corvette XR1 starts at $106,000.
[Some people might complain that Chevrolet is the name of a division, not a brand. But this ignores the fact that Chevrolet has always been quite (...wait for it,...wait for it...) cavalier* with respect to their model names, creating them, casting them away, and resuscitating them without regard to any possible "equity" attaching to them.]
[*Chevrolet Cavalier, 1982 - 2005; replaced Monza, replaced by Cobalt]
[If Chevrolet nurtured their models as brands I think I might have no argument. A quick review of Chevrolet's models gives an average age of 13 years; if the two oldest models - Corvette and Suburban - are removed from the list, the average age is something less than six years. When the average automobile repurchase cycle is somewhere around four years, a six-year model life suggests that few people will even have the opportunity to repurchase a satisfactory model. By contrast, the Chevrolet brand has been around for 98 years.]
In the spectrum of Chevrolet models, the large SUV entry is the Tahoe whose body is shared with the GMC Yukon and the Cadillac Escalade; the smaller large SUV is the Traverse whose body is shared with the Buick Enclave, the GMC Acadia, and the Saturn Outlook. In a class (“jumbo SUV,” according to Edmunds.com) almost by itself is the venerable Chevy Suburban (body shared with the GMC Denali X) with a price starting around $38,000. The fourth and smallest SUV entry for Chevrolet is the Equinox, also available as the Pontiac Torrent.
Chevy’s sedans come in many sizes, from the larger Impala down through Malibu, HHR and Cobalt, with the bodies shared with other GM divisions. Chevrolet has announced that the Cobalt model name – only about four years old – will be retired in favor of the Cruze model name in 2011.
Trucks, all duplicated in offerings by GMC, are the full line of Silverados and the compact Colorado (GMC Canyon). The “convertible” pickup/SUV Avalanche is echoed by the Cadillac Escalade EXT.
With minivans fading as a popular vehicle type, GM exited the US minivan market in 2009 after 20 years of relatively futile pursuit of the Chrysler market leaders. Models were shared by Chevrolet, Pontiac, and Oldsmobile; a Buick minivan (under the GL-8 model name) is currently available in China and apparently selling very well.
[Having owned one of the original GM "dust buster" minivans (the Oldsmobile Silhouette), it was my impression that GM stylists had never actually spent any time in or around the vehicle. A highly-touted feature, individually removable and re-configurable seats in the back two rows, required muscling around unwieldy 50-pound seats with claw-like feet. Access to the rear seats was awkward in the initial models, so when the snoutless revision to the body type was released in 1997 I was shocked to discover that the new models were just as difficult to enter as their predecessors. So I bought a Plymouth minivan...two moribund auto brands in a row.]
That leaves the 2010 Camaro as the final model on Chevy’s list, the re-introduction of the “personal” sports car that was GM’s initial response to Ford’s Mustang. The body is the GM Zeta body developed in Australia that in the US is only shared with the Pontiac G8 series (a sedan configuration). This time, however, there is no accompanying Pontiac Firebird, perhaps recognition that the more limited Pontiac distribution network would not deliver sufficient additional sales to warrant the design, execution and marketing expense of a variant for that brand.
On the horizon is GM’s electric car, the Volt, which will – at least in its initial incarnation – wear the Chevrolet bow tie. I would argue that this vehicle represents a unique branding opportunity, the establishment of a marque devoted to the best in green technology; an opportunity that will be squandered in order to leverage the Chevrolet dealership network and to leave open the possibility of a later Buick or Cadillac model. The fact that its entry-level price has crept all the way to $35,000+ before its actual introduction suggests a n0n-Chevrolet price point.
The point of this litany is to serve as preface to the idea that if you were to ask someone what the Chevrolet brand represented there could be no clear reply. “All things to all people, usually a little cheaper and less prestigious” might do. A good contrast can be made with Toyota’s Camry brand. If you say to yourself, “I want a Camry,” you have a good picture of what it is you’re after. If you say to yourself, “I want a Chevrolet,” you haven’t specified anything except that sort of gnawing suspicion that you don’t really want the best.
The Chevrolet division people are proud of the breadth of their product line and are aware of the identity problem that that causes. Their response, however, has not been to consolidate models but rather to “unify” their offerings by increasing the size and prominence of the Chevrolet “bow tie” emblems on the front and rear of their offerings.
Branding by labelling is a valid concept. It works well for things like jams and jellies. The uniformity of labelling assures us that each variety of Smucker’s products is of the same quality as the others. But even Smucker’s runs into problems when their name goes on a ketchup label: Different product, different process, different end use.
Back to the Packard Motor Car Company. They made their reputation as a luxury brand building sixteen-cylinder motors to create smooth-running vehicles. From 1920 to 1930, they tried to capture a lower tier of the market by introducing cheaper vehicles but they just didn’t understand how to do that. The vehicles ended up being bigger than the competition’s and Packard ended up charging more. Ironically, GM hired Harley Earl to come to Detroit and design the LaSalle, a brand created to allow GM to compete for that same lower tier without sullying the Cadillac brand (“LaSalle by Cadillac”).
When the Depression hit, Packard had no choice. Hiring GM managers, they shifted from job shop to production line methods and completely shook up the dealer network. They learned how to build cars cheaply and sell them for lower and lower prices. They eliminated their largest vehicles from regular production. (In the language of the times, they eliminated the “senior” chassis and built the top-of-the-line production vehicles on the “junior” chassis along with the rest of the line.) They continued to use the Packard brand, and by 1936 they offered cars at prices from $795 to $8,510, an extremely broad price range.
[An interesting issue is the sustainable price difference that a single brand can present from its lowest-priced offering to its highest-priced. A corollary question might be what price difference would be sufficient to differentiate a quality product from a commonplace product. Smucker's grape jelly commands a 33% price superiority over Shop and Stop's store brand. A Cadillac Escalade XLT commands a 60% increase in base price over a Chevrolet Avalanche. In light of these numbers, sustaining more than a 100% price difference across models of the Packard brand seems to be stretching the limit.]
The Packard brand came to compete with Plymouth, Chevrolet, and Ford. By the time the first post-war models were released in 1948 and 1949 Packard was no longer a luxury brand, but they did try to restart their competition with Cadillac. As recounted earlier, that struggle died before it was fully undertaken.
Chevrolet today tries to offer a range of cars, trucks, and SUV’s with starting prices from $12,000 to $106,000 and to tie them all together with a golden bow tie on the grille and trunk. Virtually all of its models are available from the same company at higher finish levels so it cannot compete on a claim of superiority. It’s a tough marketing job to compete on a claim of modestly-priced mediocrity. But it was apparently doable as long as the economy was buoyant.
Max Warburton at Bernstein Research says, “GM has always resorted to aggressive pricing. GM has been the leading exponent of oversupply, cheap financing and deflationary strategies.” In this conceptualization of the market, GM focuses on production and pushes its products into the marketplace by sustaining price disadvantages vis-a-vis its foreign competitors. The GM brand divisions are merely outlets for their production facilities and sales are achieved largely through price strategies.
Continuing his argument, Warburton says, “…the massive price disadvantage that GM and Chrysler suffer – with their small cars selling at US$3,000 below Honda/Toyota levels, their midsize SUVs US$6,000 below and their large cars selling for US$10,000 less. GM and Chrysler have a price problem more than a cost problem. This is a brand issue – and the brands won’t be fixed by Chapter 11.”
In marketer’s terms this would be a statement that GM’s brands have a negative equity position when compared with Honda and Toyota. And if Honda and Toyota are the competition, then the Chevrolet division must be the primary offender.
Warburton goes on to contend that GM and Chrysler are primarily (from a profitability viewpoint) light truck manufacturers and that the two companies should merge to produce (1) a single small front-wheel drive model, (2) a single minivan model, (3) a single mid-sized crossover or SUV model, (4) a single pickup model, and (5) a single rear-wheel drive large sedan.
The idea that GM (much less a merged GM-Chrysler company) should reduce itself to only five models is radical in the extreme. Cadillac would produce the large sedan, GMC would produce light trucks, Buick would produce the crossover/SUV, and Chevrolet would produce the small car: Since GM has given up minivans, that model would disappear from GM’s repetoire.
Given GM’s penchant for body sharing, perhaps the following lineup would be more realistic:
- Cadillac – Luxury large sedan, luxury SUV/crossover
- Buick – Value large sedan, value SUV/crossover
- Chevrolet – Small car (value through luxury), specialty cars (personal sports, sports, electric)
- GMC – Light trucks (pickups, vans, commercial use vehicles)
As Warburton points out, the deep problem at GM is a brand problem, and the solution to that problem requires a turning away from production and pricing as a basis for strategy and the adoption of strong branding. It is not likely that the current GM division hierarchy can adapt to this model.
It is, however, interesting to reflect on the lasting impact of Harley Earl’s centralized GM design center that hastened the demise of the Packard Motor Car Company (and other independent producers) and allowed GM to practice its production mentality right up until the day they filed for bankruptcy.
(Kick as kick can is obviously an oblique reference to “kick (him) while (he’s) down,” which – I guess – signifies that I recognize that I’m taking unfair advantage of a venerable US institution. But that Oldsmobile Silhouette really was a POS no matter how I tried to love it.)






Bigfoot goes to the movies – Inception
July 23, 2010
Inception, written, produced, and directed by Christopher Nolan and starring Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, and Cillian Murphy.
Go see it. It’s fine escapist story-telling. Oh, and if you don’t quite understand some bit of the plot or the logic while you’re watching the movie, don’t worry, there will be another bit that you don’t understand coming up in just a few seconds.
It is said that this movie would have been made solely because of director Nolan’s work on Batman Begins and The Dark Knight. What this movie lacks is the powerful story arc (did I ever think I would be saying that about a comic book story?) that the Batman series possesses. So what you have is the directorial skills of a young master being worked out on an inferior, far less tragic hero.
Leonardo DiCaprio isn’t aging well. If he continues in this direction he will be able to play those Edgar G. Robinson gangster tough-guy roles and to look the part. So he’s a little hard to focus on as the hero, he looks too worn, insufficiently resilient. Hardly by accident, to make Leonardo look young Nolan has once again used Michael Caine as the father-figure, this time as DiCaprio’s movie father-in-law rather than the surrogate father he played as Alfred.
DiCaprio plays Dom Cobb, an architect. His father-in-law is an architect who teaches architecture in Paris but who also, at another point in the movie, welcomes his son-in-law home to the United States. Never mind. Dom visits father-in-law in hopes of finding – what else – an architect. Father says he has a student even better than Dom was. This giant of a talent comes packaged in the petite 23-year old body of Ellen Page who, despite her gargantuan abilities (Ooo, look, she just folded the Septieme Arrondissement on top of itself) has the ego and presence of a fruit fly. I’ve lived around a few architects and I find that concept totally unbelievable.
Incidentally, the only extramarital smooch that takes place in the movie involves Page as Ariadne. Watch for it…it’s the high point of the sexual content of the film. Afterwards, the actors involved display self-conscious ”I can’t believe we just did that” looks that look too genuine to be coached.
This French connection apparently once played a bigger role in the screenplay, as the house that Dom’s wife (Marion Cotillard, yes, really a Parisienne by birth) is – on the outside – a structure that is pure grimy French. Her childhood dollhouse, presumably inside that house, however, seems curiously American Victorian in influence. It hides a fairly industrial-looking safe, so I doubt she really played with it much as a young girl. Anyhow, the French portion of the story is virtually excised. None of these people-based-in-Paris has even a smidgen of a French accent, not even Michael Caine.
There’s lots of things blowing up and startlingly appearing (not the least of which is Ken Watanabe doing a turn as an aged turtle), and a bunch of other people running around trying either to get information or to plant it. All you need to know is that we can inhabit other peoples’ dreams and extract information from them, and if we have to we can inhabit peoples’ dreams of dreams, and at least one person has been able to inject a belief into a person via a dream in a dream in a dream.
Wikipedia explains it all, and it might be a good idea to pop over there now and read the synopsis. That way you’ll be able to help your companion through the labyrinth.
Filed in Commentary, Movie Reviews